Chloe Smith

“The Human Garden” is a series of 52 mixed-media portraits and illustrations exploring the innate qualities of the 490 Farmers community garden and its core membership of volunteers, plot members, and houseless neighbors.  Throughout the project, I sought answers to questions like “what feelings or desires brought you to this space, and what value do you find in it?”

The media for each portrait, including specific plants and wood types, were adapted to each person’s character and strengths, elicited during interviews.  Once completed, the series will be reproduced as a full Tarot deck and distributed locally. 

I became interested in the Tarot during the pandemic as both a psychological tool and storytelling device in my exploration of folklore and mythology, feminist spiritual practices, and the use of oracles and occult knowledge across cultures to respond to uncertain events.

Link to Pre-order The Human Garden Tarot Deck: PayPal

(Decks will be available June, 2025)

Pieces in order 1-35:

The World / 4 of Wands

7 of Pentacles

6 of Cups

Queen of Pentacles

The High Priestess / Queen of Swords

The Hermit / 4 of Cups

Page of Pentagles

The Star / Page of Wands

Queen of Wands

Strength / 3 of Pentacles

9 of Pentacles

Justice / King of Swords

Ace of Wands

Queen of Cups

5 of Cups

King of Pentacles

Ace of Swords

Ace of Cups

The Moon / 8 of Cups

The Sun / Page of Cups

6 of Swords

King of Cups

The Empress / 2 of Pentacles

6 of Wands

Temperance / 8 of Pentacles

The Chariot / 8 of Wands

9 of Cups

Page of Swords

10 of Swords

10 of Pentacles

The Lovers / 2 of Cups

6 of Pentacles

The Emperor / King of Wands

The Magician / 3 of Wands

The Hierophant / 4 of Pentacles

Lincoln Branch Library, 851 Joseph Ave. 30’ x 60’, Acrylic on masonry, November 2023.

The text to the left reads:

This mural is a tribute to the late Edgar SantaCruz, a beloved Rochester community member.

Edgar was an extraordinary person. He was a social worker, activist, community garden steward and volunteer. He embodied pure presence, compassion, and an ego-less drive to action. He was hilarious, friendly, easygoing, and generous, and he treated every person with the exact same kindness and lack of judgement. With so much life left to live, Edgar was tragically hit by a car on December 22, 2022 while walking his dog, Rosie, and they left this world together.

Edgar and Rosie will live on here, in the garden of his creating. Each plant symbolizes Edgar’s relationship to the world, and what he meant to our community.

Dandelions are for overcoming hardship, while larkspur embodies Edgar’s fun-loving nature, levity & generosity. A tall sunflower represents his brightness of being, loftiness and loyalty. The forget-me-nots in the center represent his lasting gifts to so many, and the perennial place he will hold in our hearts. Mistletoe above the door marks Edgar’s passing at Christmastime and blesses “a meeting place where no violence can take place.

This mural is part of the City’s Percent for the Arts Program, under the theme “My Rochester,” an exploration of what Rochester means to artists and different communities. Edgar’s legacy embodies the theme of “My Rochester,” his essence and hopes for the future that many of us share.

Press:

https://www.democratandchronicle.com/story/lifestyle/2024/04/18/rochester-murals-brighten-city-neighborhoods-northwest-public-art-roc-murals-day-percent-for-arts/73345850007/

This mural was inspired by my combined passion for urban gardening, creating public art, and the love I have for my hometown of Rochester. I feel very connected to the local urban gardening community, and was excited by the opportunity to honor that community as well as to depict my vision of the future of gardening in the city. I wanted to bring to life Rochester as I imagine it, moving toward a green & abundant future.

https://www.fruitionseeds.com/learn/blog/murals-at-fruition-from-rochester-with-love-chloe-smith/

This mural depicts an imagining of an ecologically restored Onondaga Lake, located outside Syracuse, NY. The scenery includes native species of plants and animals that thrived in the area before the lake's 30-year long mercury contamination by Honeywell, the company now responsible for the lake's ongoing remediation.

In the mural, the lake is surrounded by native plant species of asters, goldenrod & rudbeckia. In the foreground is a white cedar stand with moss, blue bead lily, mayapple, goldthread, beavers, and now extinct passenger pigeons.

The mural is located in Illick Hall, the home of the Department of Environmental Biology and Center for Native Peoples and the Environment. The latter is chaired by the acclaimed author and indigenous botanist, Robin Wall Kimmerer (pictured) who's book, "Braiding Sweetgrass" was the inspiration for the mural. Also pictured is Ecologist Catherine Landis, ESF professor and research scholar of the ecology of Onondaga Lake.

Acrylic on cement, 9× 12’, 2024.

Collaborative murals created with the Art Center of Rochester Mural Co-op, 2024-present.

Clients include:

Okay Beer Co. (Honeoye, NY)

Nortera Foods (Bergen, NY)

Shamrock Jacks Irish Pub (Seabreeze, Rochester)

Living 585 Realty (Gates, NY)

Habitat For Humanity of Greater Rochester

This mural was a collaboration between myself and artists Richmond Futch, Jaci Ayorinde, TARO, and a group of 4 young Rochester Baha'i Center artists (age 10-18).

The mural is located on a street-facing wall at St. Joseph's House of Hospitality in Rochester, NY. The concept was to demonstrate a "spirit led" approach to making a mural. Each artist based their contribution solely off Richmond's title, "Revelation Rochester," and the imagery developed organically from there. Richmond and I had previously partnered to paint a series of book spine murals at a local library. Richmond's experience as a retired pastor and volunteer art teacher at St. Joseph's led him to initiate the project and recruit me as partner. :

My contributions include the iris, chrysanthemum and lotus flowers. Each flower has a symbolic meaning related to the mural's theme of revitalization and represents an element of the positive transformation Rochester is experiencing.

The blue chrysanthemum represents the end of a heartbreak. Learning from and accepting the tragedy of love lost, the healing can now begin. Chrysanthemums can also represent rebirth, and they are often chosen to commemorate an important time of transformation or a new beginning in one’s life.

Lotus flowers are symbols of strength, resilience, and rejuvenation. The lotus returns to the murky water each evening and open their blooms at the break of day. Lotuses root themselves in the mud, their stems reaching upward to break through the water. There, the unlikely blossoms grow, and the pristine lotus flower unfolds. Rochester witnesses ongoing hardships, it has been plenty submerged in the murky water of trauma. After every brutal winter, we somehow push ourselves up out of the mud to receive the sunshine, and open up again.

The purple iris is a symbol of enduring faith, hope & valor. Despite the change of seasons, the iris always re-emerges in late spring and lasts through the summer. The iris reminds us to be patient, stay hopeful, and seek out the true and ethical path despite the temptation of earlier but less sustaining blooms. In Ancient China, people believed that placing irises around a door or inside a home would keep negative energies away. The iris is viewed as a protector and positive influence, and I hope it serves that purpose here at St Joes.

Acrylic on masonry, 50’x 12’, 2022.

This community garden shed mural was funded by a mini-grant through Rochester's WALL\THERAPY initiative. WALL\THERAPY is a non-profit that has funded the creation of numerous murals throughout Rochester since 2012. This shed is located at the St. Mark's & St. John's Episcopal Church E.D.E.N. Denver St Garden. The plants depicted reflect those previously grown in the garden including tithonia, yarrow, sunflower, collard greens and swiss chard. A group of garden volunteer youth engaged through St. Mark's & St. John's assisted in preparing the shed wall and painting the blue background.

Acrylic on wood, 10 × 16’, 2020.

Above: Mural for private residence in Naples, NY depicting a beloved local attraction, Grimes Glen Park, and its foliage colors in early fall. The piece aims to engage in conversation with the surrounding landscape, by reflecting aspects of the backyard view this wall faces.

Acrylic on wood siding, 10’ x 25’, 2024.

Below: Wrap-around pool house mural for backyard in Pittsford, NY. The goal was to incorporate local scenery to create a trompe-l’oeil effect with the surrounding environment.

Acrylic on wood, 8’ x 6’ x 4’, 2024.

Backyard shed mural depicting echinacea, globe artichoke, purple iris, cosmos, and dahlia.

Acrylic on wood, 2022.

This mural is located in Rochester at the former Greenhouse Cafe, a unique urban architectural space with an aquaponics greenhouse. The mural represents the diversity of life inside the greenhouse, including the fish that feed the system, the lacewings and ladybugs that control pests, and the herbs and vegetables that prosper thanks to these natural partnerships. The continuous background geometric pattern was employed to visually weave together the individual components of the mural, reflecting the interconnectedness and mutual dependence of the ecosystem it depicts.

Acrylic on stucco, 100'x2.5’, 2020.

“The Four Seasons” murals are visualizations of the prophecies found in Hosea, 14 of the Old Testament, “O israel, return unto the Lord thy God; for thou hast fallen by thine iniquity.”

This passage was chosen as the inspiration for this series for its message of revival following a period of darkness, in acknowledgment of the countless difficulties faced during the pandemic. These struggles, brought on by the iniquity of Covid-19 and its decades-long causation (unsustainable choices made by humankind in favor of economic growth) can only be matched with relentless optimism, and a hope to transform ourselves and our reality for the better. I find great hope in the reminder that “after the plague came the renaissance.”

Each mural represents one line from this passage, while incorporating plant & bird symbolism from biblical and cultural sources. By combining these symbols, each season represents a set of spiritual virtues, which unite to form a healthy, resilient, spiritual whole.

1. SPRING (Eastern Bluebird, Orange Daylily, Lily of the Valley)

Symbolism: New Beginnings, Prosperity, Gratitude

Hosea, 14.5. “I will be as the dew unto Israel: he shall grow as the lily, and cast forth his roots as Lebanon.”

2. SUMMER (Release Dove, Olive Tree)

Symbolism: Peace, Wisdom

14.6. “His branches shall spread, and his beauty shall be as the olive tree, and his smell as Lebanon.”

3. FALL (Great Blue Heron, Grapes, Corn)

Symbolism: Balance, Patience, Fertility

14.7. “They that dwell under his shadow shall return; they shall revive as the corn, and grow as the vine: the scent thereof shall be as the wine of Lebanon.”

4. WINTER (Red Cardinal, Fir Tree)

Symbolism: Hope, Perseverance

14.8. “Ephraim shall say, What have I to do any more with idols? I have heard him, and observed him: I am like a green fir tree. From me is thy fruit found.”

Acrylic on Canvas, 4’x8’ (x 4), 2020.

Project led by Brooklyn/Rochester based Open Air Gallery. My contributions to this piece include the beets, carrots, selected background imagery, and lettuces. Mural is located at Lento Restaurant in Rochester NY. Oils on drywall, 2022.

Front & Back album cover illustrations for Stephen Paul Guerra’s 2023 Release, No Balanco do Choro-Samba. Graphic Design by Julia Jones. Colored pencil on illustration board, 13x15”. Album editions plus this original illustrations pictured below.

To listen to the album, stream here:

https://stephenguerra.bandcamp.com/.../no-balan-o-do...

https://open.spotify.com/album/7pgCStNHFs3vxZeg9NbsEz

https://music.apple.com/.../no-balan%C3%A7o-do.../1716539674

https://youtube.com/playlist...

A feminist, satirical reimagining of the common biblical depictions of The Adoration of the Magi. This piece is a comment on the overvaluing of motherhood and society's worship of the human child. Why are non-human species not similarly adored and cherished? What is the meaning of motherhood to a childless shepherdess?

Colored pencil on matte board, 11 × 14”, 2021.

Selections from a duo exhibition with artist Kaitlin Roney, titled “Nothing Ethereal About Her,” this series centered around contemporary re-imaginings of traditional Greek goddesses. The title of the exhibition was taken from a line in "Tess of the D'Urbervilles" by author Thomas Hardy, which tells a tragic allegorical tale of the feminine spirit, doomed.

Acrylic & Colored Pencil, 2019-2020.

Persephone : The piece represents the story of Persephone, Greek goddess of the Dead and the daughter of Demeter, the goddess of agriculture. This piece shows Persephone as a victim and survivor who still bears the signs of her annual kidnapping and rape by Hades. She has only just emerged from her first experience in the underworld; her shirt is still rumpled and her eyes hold shadows. The birch trees symbolize hope and new beginnings as she emerges from the horror of her captivity. She looks toward the sun and sees healing in her future. The sprout is a reminder that our feminine nature is to find a way to grow and survive despite oppression and darkness.

Hera: Naive yet powerful, Hera has just been spurned for the first time by her adulterous husband, Zeus. The young Goddess of the Home has been pricked by the yellow rose of infidelity, and vows revenge against her husband’s mistresses.

Athena: The Warrior Goddess, Athena has left maidenhood and begun her journey across the Mediterranean to fight alongside the Athenians, demonstrating expertise and justice in war.

Demeter: Here, the Goddess of Agriculture and mother of the doomed Persephone is still young, hopeful and childless, cradling a hen as she graces the land with an abundance of fertility.

The Nine Muses:

Calliope, the Muse of epic poetry

Clio, the Muse of history

Erato, the Muse of lyric poetry

Euterpe, the Muse of music

Melpomene, the Muse of tragedy

Polyhymnia, the Muse of sacred poetry

Terpsichore, the Muse of dance and chorus

Thalia, the Muse of comedy and idyllic poetry

Urania, the Muse of astronomy

Acrylic. A set of dresser drawers painted in honor of the great art nouveau icon Alphonse Mucha and the beginning of a series of furniture murals. I am collecting salvaged chairs, dressers, and other items to be transformed into fine art home decor pieces, in an effort to prevent landfill waste.

An example of a salvaged end table painted and refurbished in an art nouveau style, with imagery taken from Alphonse Mucha's "Summer." The painting is an idealized depiction of Eve, the original woman, atop three legs, one for each of the three primary colors. The pairing of color and subject evokes the primary essences which give life to all subsequent creation and colors.

As part of my practice, I often recover tables, doors, and other discarded household items and bring them to my studio for transformation into functional art objects, which I sell or barter as a means to support my ongoing experimentation.

Acrylic on wood, 16’ x 16’, 2020.

Acrylic portrait of painter, Frida Kahlo and tribute to her use of imagery and color.

Festival themed mural done for Atlas Hostel in Las Palmas, Gran Canaria, Spain. Acrylic.

The Los Indianos Festival, or the Carnaval de Santa Cruz de La Palma, is celebrated each year in honor of the "Indians," or the returnees from Cuba during the nineteenth century. The Indians had emigrated to Latin America and returned home years later bringing tales of wealth and prosperity. The procession marches throughout the streets of Las Palmas dressed from head to toe in white and throws masses of talcum powder in the air. 

The figure's white garb and Panama hat represent the traditional dress worn at the Los Indianos festival. The style of the mural is inspired by the European Art Nouveau and artist Alphonse Mucha.

Pigeons are an important symbol of pride in Gran Canaria as well, as they were the first people in the world to use carrier pigeons to transport messages. For many years, Canarians had contests to determine which pigeon could deliver a message the longest distance.

Colored Pencil. Floral portraits representing emotions:

Tranquility

Sorrow

One of five rolling door murals for new eatery businesses at the Sibley Square Mercantile on Main development, E Main St, Rochester. My mural combines imagery of three iconic downtown buildings (Sibley Building, Chase Tower, and Kodak) along with the symbolic Rochester lilacs and the City of Rochester flower logo. Acrylic on primed metal, 2020.

Album cover design and illustration for Trio Ghidorah, a Rochester based classical guitar trio, for their first album, Dances & Fantasies. Colored Pencil, 2020.

Design submission for the 2017 Beechwood Street Painting Project in Rochester NY.

Illustrating the concept of mutual symbiosis in urban communities. Neighborhoods and cities are examples of symbiotic relationships that have the potential to be successful and sustainable. Both the city itself and individual citizens reap benefits when we all work together and build off one another's skills and offerings. The imagery of plants and nature growing off of a turtle's shell relate the idea of social/economic symbiosis to the same systems that take place in nature.

Colored Pencil on paper, 11×14”, 2017.

Poster design concept submission for the Pollinator.org 2023 poster, “Climate Change and Pollinators: Little Things Matter.”

Colored Pencil on Matte Board, 15 x 20”

My concept illustration incorporates the the natural world of pollination and the human activities that support our environment to show how these two vibrant ecosystems are interconnected. The upper half of the illustration depicts a human hand unfolding to release a host of pollinating species entwined with partner plants & fungi (including echinacea, dandelion, ironweed, columbine, and reishi mushrooms). Pollen spores blow outward into the surrounding negative space in a show of vitality and fertile abundance. The lower image depicts a colorful, climate-minded urban ecosystem replete with fruit trees, urban farms, front yard vegetable gardens, renewable energy (wind, solar, wood burning), carbon neutral transportation (walking, biking) and politically engaged citizens living a pollinator friendly lifestyle. Wind energy, sunlight and clean air from the trees and activity below drift upward to power the healthy microcosm above. The colors of the houses and clothing below are a mirror of nature’s vibrant colors above, reflecting the similarities of humans and pollinators daily activities. A house is a habitat & charging station for us just as a flower serves this role for a bee, hummingbird, or ladybug.

The inspiration for this concept and my interest in submitting a piece for consideration is based in part on my work as founder of a community gardening organization in Rochester, NY called 490 Farmers. The garden began as vacant land in 2018 and now encompasses a half acre of pollinator gardens, plots for rent, a food forest, children’s garden, bee hives and more. The space has been built and funded entirely by the community, and provides a natural respite in the middle of downtown Rochester for humans and many other species. In the years I’ve spent working on this project I have learned so much about the importance of pollinators and how a healthy garden ecosystem negotiates the perfect balance between the “little things” and the humans that visit and steward it.

All of the plant and insect reference photographs used for this illustration were taken at the 490 Farmers space by our organization’s president and avid gardener, Karen Soanes. The street scene is based on an eco-friendly vision of my neighborhood, using photos taken from my studio window.

A mural at the former site of Grow Green, an urban gardening program for kids in Rochester’s 19th ward neighborhood. Acrylic on wood, 2018.

A representation of humanity's current relationship with the earth around it. We are heading toward the ruin and destruction of many of Earth's most treasured creatures as well as ourselves, as depicted by the compass's markings and centerpiece. Balance, or a return to a more symbiotic and natural way of life, is still an obtainable goal but we as a species must work to change our direction. Acrylic.

Book spine murals on the front and side facade of the Arnett Library in the 19th Ward, Rochester. Collaboration with local artists Richmond Futch Jr. and Ebony Singleton. Book subjects were chosen by library staff and patrons. First installment of panels begun in 2017, and the mural was completed in summer 2021. Acrylic.

My panels include:

Eragon by Christopher Paolini

The Life & Times of Frederick Douglas

The Biography of Susan B. Anthony

Twenty Two Years A Slave - Austin Steward

Alice’s Adventures in Wonderland

The Biography of Harriet Tubman

Archer’s Quest - Linda Sue Park

Robin Hood

Love You Forever

Press: https://www.roccitymag.com/arts-entertainment/arnett-branch-library-book-spine-mural-project-19th-ward-13665189

A landscape mural based on the poem "Clearing" by Martha Postlewaite, for a clinical psychologist's office in Brighton, NY.  Acrylic on canvas.

A collection of murals for private clients, primarily childrens’ bedrooms and play rooms. Acrylic, 2019 - 2022.

Two examples of pedestrian interventions centered around the idea of spontaneous play, sponsored by Healthi Kids PlayRocs initiative. Projects were designed and drawn out then opened for public participation during a community painting day.

1. Lexington Ave Community Farm (Foodlink) “Find your way back to the hive!” This piece is a bee-based hopscotch that teaches passersby about the different types of bees in a hive, plus what predators to avoid, and what type of flowers they seek out for pollen.

2. “Swillburg Pig’s Mud Maze” lets you play in the mud and follow the Swillburg pig’s muddy maze back to Rochester.

Diversity, Equity & Inclusion mural for the front hallway entrance at TJ Connor Elementary in Scottsville, NY. The mural includes the American Sign Language finger spelling of Unity, a soaring dove for peace, tree and book symbolizing the growth of knowledge, and the LGBTQ pride rainbow. Acrylic on primed cement, 2021.

A two sided interactive hallway mural in the underground “link” tunnel connecting Rochester Central Library to the Rundell Library across the street.

Depicted in the mural is a pile of books chosen by teen volunteers, opening up into female superhero comic strip (concept created by Library Teen Center helpers). Taking you across the hall you fall into a diverse universe and cosmos of ethnic backgrounds, and a set of interactive angel wings. Acrylic, 2018.

Murals for children’s indoor play space, Magical Mess in Rochester, artwork chosen by the client.

Exterior Acrylic on Cement. Sidewalk painted to depict various curriculum imagery at Theodore Roosevelt Elementary School in Rochester NY.

The project is a collaboration between myself, Studio RAD, Commonground Health (Healthi Kids Initiative) and NYS Dept. of Transportation.

A 10' x 20' community/historical mural to be installed on the side of Crown Jewelers on Coach Street in Canandaigua, NY. Represented is the historic Granger Homestead, Canandaigua Lake, and first Canandaigua steamboat. All fish and floral imagery are those native to the area. Acrylic on Evolon canvas.

PRESS

http://www.mpnnow.com/news/20160923/mural-welcomed-to-canandaigua-neighborhood

http://www.amycolburn.com/blog/canandaiguas-coach-street-mural-highlighting-artist-chloe-smith

http://www.mpnnow.com/news/20160723/mural-soon-will-brighten-bare-wall-in-downtown-canandaigua

Blackboard murals at the offices of Burd Home Health & Burd Physical Therapy, and

1. Burd Physical Therapy, Fairport

2. Burd Home Health, Buffalo

3. Burd Home Health, Village Gate, Rochester

4. Burd Physical Therapy, Brighton

5. Commercial Cleaning Services of Western NY, Buffalo

Chalk marker & Acrylic, 2017 - 2021

One 9' x 4' mural done for Monte Alban Mexican Grill in Penfield, NY. Imaginary scene based on images of Colonial Mexico and Spain. Acrylic on canvas then installed on site. 

Four window sized murals done at Monte Alban Mexican Grill in Irondequoit, NY.  Images based on modern day Guanajuato and San Miguel de Allende, Mexico. Acrylic on cement.

Refurbished table painted with Art Nouveau inspired floral and bird motfis. Acrylic on wood.

Refurbished (from trash!) and hand painted with polycrylic coating.

Tropical themed mural commissioned for client’s nursery, with bird of paradise, ferns, monstera, banana tree. Acrylic, 2019.

Design for the gallery floor of StudioRAD in Rochester, NY. Acrylic on cement, 2017.

Ongoing portrait series of selected beneficial garden insects and pollinating flora. Acrylic 2019-2024.

Soldier Beetle (Marigold, Milkweed, & Clover), 16 × 20”

Lacewing (Cosmos, Rudbeckia, Goldenrod), 16 × 20”

Antlion (Poppies, Knapweed, Buckwheat flowers), 16 × 20”

Sunflowers 18 × 18”

Lilacs, 18 × 18”

Collection of commissioned and student caricatures in various media, 2013 - 2021.

A series of caricatures done for the Neurosurgery Department at the University of Rochester.

The caricatures here were created annually for the new department rosters in 2014, 2016, and 2019.

Various commissioned portraits of clients' pets.

Media includes watercolor & colored pencil, acrylic.

2019-2025

Collection of figure studies in various media, 2012-2021

Portraits commissioned for various clients 2014 - 2024.

Media includes watercolor, colored pencil, and acrylic.

1-3. Cortona, Italy - Watercolor

4. Adirondacks, Acrylic Sketch

5. Lake Placid, Acrylic

6. Blue Hill Farm, Waterford, Virginia

Springtime vegetables and plants for a collaborative poster project with Bee Paper House. Pen & Ink, Digital. 

Vegetable and branch illustrations for recipe card & wedding invitations series. Watercolor. Collaboration with Bee Paper House. 

A collection of logos created for various small businesses.

Series of handmade notebooks using recycled and scrap papers. Covers are original pen and ink illustrations on cut paper. 

Promotional pieces for Whelpley & Paul Opticians in Webster, NY. Completed Summer 2019.

Chalk Pieces commissioned by True Lily Gift Shop for the Canandaigua Wine Walk, 2017 & 2018

Chalk Pieces created for the Corn Hill Arts Festival, 2016 - 2024

Custom driveway chalk murals created for at home weddings during Summer, 2020.

Commissioned chalk piece created for Rochester Regional Health “Health Systems Week” at the Hill Haven Nursing Home, 2020.

A depiction of a gloved nurse’s hand releasing a bluebird above the earth, symbolizing hope and rebirth after a long winter, and overcoming an arduous time through compassionate care of one another.

https://13wham.com/news/local/chalk-art-honors-healthcare-workers-on-front-lines-of-pandemic

Chalk pieces created for festivals and clients around Rochester NY.

1-3. Garden Factory Arts & Crafts Festival 2016 & 2018

4. Fairport Canal Days (Philip Seymour Hoffman), 2016.

5. Park Ave Fest, 2017 with sand artist Katie Jo Suddaby

6. Rochester Public Market (Louis Armstrong), 2017.

7. Elderwood Village at Fairport, 2017 & 2019

8-11. Roc the Riverway Festival, 2019 & 2022.

12. Perry Chalk Fest, 2023